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A type gains vastly in significance by being presented in some action along with other individuals of the same type; and here Donatello was apt, rather than to draw his meed of profit
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Masaccio was untouched 29 by this taint. Types, in themselves of the manliest, he presents with a sense for the materially significant which makes us realise to the utmost their power and dignity
Giotto’s paintings on the contrary, have not only as much power of appealing to the tactile imagination as is possessed by the objects represented human figures in particular but actually more, with the necessary result
We whose current knowledge of anatomy is greater, who expect more articulation and suppleness in the human figure, who, in short, see much less naïvely now than Giotto’s contemporaries
At the risk of seeming to wander off into the boundless domain of æsthetics, we must stop at this point for a moment to make sure that we are of one mind regarding the meaning of the phrase
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Masaccio would themselves have been sole determining personalities in their art, were Fra Angelico, Paolo Uccello, and Andrea del Castagno, Domenico Veneziano and Fra Filippo
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As it was, his frescoes at once became, and for as long as there were real artists among them remained, the training-school of Florentine painters.
Masaccio’s death left Florentine painting in the hands of three men older, and two somewhat younger than himself, all men of great talent, if not of genius, each of whom